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The following information was take from the website run by Sarah Weinman in her tribute to Shel Silverstein.
Available from https://members.tripod.com/~ShelSilverstein/Interviews.html
Accessed July 1, 2005
Shel Silverstein was notorious for not giving interviews, stressed in the 1975 interview with Publisher's weekly: "...and I'm not going to give any more interviews." This sentiment was brought up again and again in the obituaries, as well as during the heyday of A Light in the Attic, when Ed McDowell of the New York Times Book Review wrote an entire article in praise of the work, but admitted that he'd hadn't tried to contact Silverstein in light of the attitude towards interviews. As it turns out, while Shel wasn't exactly going to give interviews left and right to just anyone, there are interviews post-1975. I have a select few, though a couple of others are forthcoming. As well, if I can ever track it down (or a transcript) I would dearly love to include the 1994 interview (on CD) of Silverstein and Bob Gibson conducted by Studs Turkel. And there are plenty of offerings from the 60s and 70s that I am sure are just waiting to be included. The Aardvark Interview from 1963, it is, by far, the most in-depth interview Silverstein ever gave. Definitely a must-read and a treat. An interview from 1965, from the album "I'm So Good That I Don't Have to Brag." Is it a real interview, or is it bogus? I suggest you decide--because even now, I'm not so sure... Chicago Tribune interview from Publisher's Weekly interviews Shel Silverstein: The Third Mr. Silverstein: New York Times, The Stars and Stripes 50th Anniversary Edition Issue from 1995 has a retrospective on Shel, with excerpts from an earlier interview from 1969. The Old Dogs site has a full-length article about the making of the album, a special project involving Silverstein, Waylon Jennings, Mel Tillis, Bobby Bare, and Jerry Reed. It's not an interview per se, but it does have quoted comments from Shel which are rather amusing. Patsi Bale Cox put together the liner notes in late 1997 |
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Awards
Awards for
Where the Sidewalk Ends 1974 Outstanding Book Award (New York Times)
1981 1984 George G Stone Award Awards for
A Light In the Attic 1981 School Library Journal, Best Book Award 1983 Buckeye Award 1984 George G Stone Award 1984 William Allen White Award (William Allen White Library)
Award for The Missing Piece Meets the Big O 1982 Children’s Choice Award (International Reading Association)
Music Awards 1969 Grammy Awards (National
1984 Best Children’s Recording Album, Where the Sidewalk Ends—sung by Shel Silverstein 2003 Parent Choice Gold Award
for the CD Underwater Land |